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master's thesis
Glasovna i karakterna interpretacija likova u operi Cendrillon J. Masseneta
2020. urn:nbn:hr:116:149004
Miletić, Ivana
University of Zagreb
Academy of Music
Voice Department

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Miletić, I. (2020). Glasovna i karakterna interpretacija likova u operi Cendrillon J. Masseneta (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:149004

Miletić, Ivana. "Glasovna i karakterna interpretacija likova u operi Cendrillon J. Masseneta." Master's thesis, University of Zagreb, Academy of Music, 2020. https://urn.nsk.hr/urn:nbn:hr:116:149004

Miletić, Ivana. "Glasovna i karakterna interpretacija likova u operi Cendrillon J. Masseneta." Master's thesis, University of Zagreb, Academy of Music, 2020. https://urn.nsk.hr/urn:nbn:hr:116:149004

Miletić, I. (2020). 'Glasovna i karakterna interpretacija likova u operi Cendrillon J. Masseneta', Master's thesis, University of Zagreb, Academy of Music, accessed 16 April 2024, https://urn.nsk.hr/urn:nbn:hr:116:149004

Miletić I. Glasovna i karakterna interpretacija likova u operi Cendrillon J. Masseneta [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2020 [cited 2024 April 16] Available at: https://urn.nsk.hr/urn:nbn:hr:116:149004

I. Miletić, "Glasovna i karakterna interpretacija likova u operi Cendrillon J. Masseneta", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2020. Available at: https://urn.nsk.hr/urn:nbn:hr:116:149004

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Metadata
TitleGlasovna i karakterna interpretacija likova u operi Cendrillon J. Masseneta
AuthorIvana Miletić
MentorMiljenka Grđan (mentor)
GranterUniversity of Zagreb
Academy of Music
(Voice Department)
Zagreb
Defense date and country2020-09-25, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Abstract
Rad se bavi karakternom i glasovnom interpretacijom likova u operi Cendrillon Julesa Masseneta i međusobnim odnosima likova. U prvom poglavlju predstavljena je biografija skladatelja Julesa Masseneta i detalji o operi Cendrillon. Drugo poglavlje bavi se bajkom kao književnom vrstom, inačicama bajke o Pepeljugi, bajkom kao predloškom za libreto opere te sličnostima i razlikama libreta i bajke Charlesa Perraulta. U idućem poglavlju rad se bavi analizom likova, njihovim karakterima te glasovnom interpretacijom i međusobnim odnosima. U zaključku su sintetizirane ideje ovoga rada i promišljanja o ovoj operi i njezinim likovima.
Abstract (english)
The theisis covers the character and voice interpretation of the characters in Jules Massenet's opera and the relationship between the characters. The firts chapter presents a biography of composer Jules Massenet and details about the opera Cendrillon. The second chapter deals with the fairy tale as a template for the libretto of opera, and the similarities and differences of Charles Perrault's libretto and fairy tale. In the next chapter, the work deals with the analysis of the characters and their vocal interpretation and relationship. In conclusion are synthesized ideas of this work and reflection on this opera and its characters.
Keywords
Keywords (english)
Languagecroatian
URN:NBNurn:nbn:hr:116:149004
Study programmeTitle: Integrated Undegraduate and Graduate University Study Programme in Singing
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsOpen access
Terms of useLicence In copyright icon
Created on2021-06-10 13:55:03