Klapsko pjevanje u gradu Splitu: paradigmatski konteksti izvođenja i izgradnja klapskog identiteta grada

master's thesis

• Author: Petra Ćaleta
• Mentor: Naila Ceribašić (mentor)
• Mentor: Joško Ćaleta (mentor)
• Granter: University of Zagreb; Academy of Music; (Musicology Department); Zagreb
• Defense date and country: 2020-09-24, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Art Sciences; Musicology and Ethnomusicology

Abstract

Tema ovog diplomskog rada obuhvaća četiri prakse koje sadrže klapsko pjevanje, a odvijaju se u gradu Splitu: pjevanje na prostoru Vestibula u svrhu turističke promidžbe, neformalnu praksu koja se popularno naziva klapski afteri, a odvija se nakon službenih koncerata, spontano klapsko okupljanje na prostoru koji se naziva Ispod ure koje se svake godine odvija na Staru godinu 31.12. te niz situacija koje su u nekom pogledu sadržavale klapsko pjevanje, a odvile su se u vezi ispraćaja Olivera Dragovjevića. Istraživanjem sam došla do zaključka kako se klapski značaj unutar heterogeno glazbujuće sredine očituje u mogućnosti da značenjski oblikuje prostor i stvara zajednicu u situacijama kulturne prisnosti. Iz istraživanja također ishodi da performativne kompetencije karakteristične Splitu (p)ostaju značajne za klapsku zajednicu u cjelini.

Abstract (english)

The topic of this thesis includes four practices that contain klapa singing, which take place in the city of Split: singing in the Vestibule for tourism purposes, an informal practice popularly called klapski afteri (klapa afters), which take place after official concerts, a spontaneous klapa gathering in an area called Ispod ure (Under the Clock), which takes place every year on December 31, and a series of situations that in some ways included klapa singing, which were a part of the farewell from the belated singer Oliver Dragovjević. Through my research, I came to the conclusion that the significance of klapa singing within a heterogeneous music center is manifested in the ability to form meaningful spaces and create a community in situations of cultural intimacy. The research also shows that the competencies of performance characteristic for Split remain important for the klapa community as a whole.

• Keywords: klapsko pjevanje; Vestibul; Ispod ure; after; Oliver Dragojević; prostor; mjesto; glazbena prisnost
• Keywords (english): klapa singing; Vestibul; Ispod ure; klapa after party; Oliver Dragojević; space; place; musical intimacy
• Language: croatian
• URN:NBN: urn:nbn:hr:116:460279
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme in Musicology; specializations in: Musicology, Ethnomusicology; Course: Musicology; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzikologije (magistar/magistra muzikologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2020-11-30 13:35:06