Glazbeno-tekstualni aspekti talijanskih recitativa od romantizma do verizma

master's thesis

• Title (english): Musical and textual aspects of Italian recitatives from romanticism to verism
• Author: Roko Radovan
• Mentor: Maura Filippi (mentor)
• Granter: University of Zagreb; Academy of Music; (Voice Department); Zagreb
• Defense date and country: 2024-10-31, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

Devetnaesto stoljeće u talijanskoj operi nosi mnoge stilske i estetske promjene, kako u libretima, tako i u glazbi; Recitativi i libreto kao pojam i vrsta su rijeđe istraženi dio pjevačkog obrazovanja, stoga vrlo često kod usvajanja nove uloge uviđamo problematiku i veće tehničke zahtjeve, upravo kod recitativno-dramskih dijelova, zbog neiskustva i nedostatka informacija na koji način pristupiti cijelovito djelu. Iz tog razloga ću i veću pozornost pridati libretu te razvoju recitativnih dijelova u tenorskim ulogama Nemorina, Alfreda i Turiddua; Ova tema mi se učinila zanimljivom i zbog problematike opće poznatog pjevačkog naputka: ''Pjevaj kako govoriš!'' ; takav pristup zahtijeva poznavanje stilskog i glazbenog pristupa tekstu pojedinih skladatelja, a daleko je od jednostavnosti izjave same po sebi.

Abstract (english)

The nineteenth century in Italian opera brings many stylistic and aesthetic changes, both in librettos and music. Recitatives and the libretto as a concept and genre are less frequently explored aspects of vocal education. Therefore, when learning a new role, we often encounter challenges and greater technical demands, especially in recitative-dramatic sections, due to a lack of experience and information on how to approach the work as a whole. For this reason, I will emphasize the libretto and the development of recitative sections in the tenor roles of Nemorino, Alfredo, and Turiddu. This topic also seemed interesting to me because of the issues surrounding the well-known vocal instruction: "Sing as you speak!" Such an approach requires knowledge of the stylistic and musical approach to the text of individual composers and is far from the simplicity of the statement itself.

• Keywords: recitativ; libreto; opera; romantizam; verizam; tenor; Ljubavni napitak; Traviata; Cavalleria rusticana
• Keywords (english): Recitative; Libretto; Opera; Romanticism; Verismo; Tenor; L'Elisir d'Amore; La Traviata; Cavalleria Rusticana
• Language: croatian
• URN:NBN: urn:nbn:hr:116:201257
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme in Singing; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-11-21 15:59:00