Ludwig van Beethoven: Sonata br. 30 u E-duru op. 109

master's thesis

• Title (english): Sonata no. 30 in E major, op. 109. by Ludwig van Beethoven
• Author: Luka Ratkajec
• Mentor: Veljko Glodić (mentor)
• Granter: University of Zagreb; Academy of Music; (Piano, Organ and Harpsichord Department); Zagreb
• Defense date and country: 2022-11-17, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

Ovaj rad bavi se analizom Sonate op. 109 Ludwiga van Beethovena kao centralnim djelom mojeg diplomskog koncerta. Rad je podijeljen na pet poglavlja. Prvo poglavlje nosi naziv: „Uvod“ i u njemu su izneseni razlozi odabira teme te ciljevi rada. Drugo poglavlje pod naslovom: „Ludwig van Beethoven“ donosi dva podpoglavlja od kojih se jedno bavi Beethovenovom biografijom dok se drugo bavi njegovim stvaralaštvom. Treće poglavlje pod naslovom: „Sonata“ bavi se razvojem sonate kao forme kroz povijest. Četvrto poglavlje nosi naziv „Instruktivna analiza djela“ te se dijeli na tri podpoglavlja koja se redom bave formalnom analizom, tehničkom analizom i interpretativnom analizom djela. Peto poglavlje nosi naslov „Zaključak“ te sadrži osvrt na analizu i na postignute ciljeve. Nakon zaključka slijedi popis izvora i priloga.

Abstract (english)

The focal point of this thesis is the analysis of Sonata op. 109 by Ludwig van Beethoven, as it is the centre piece of my graduation concert. The thesis consists of five chapters. The introductory chapter, titled “Uvod” (“Introduction”), describes the reasons why this particular topic was chosen, and explains the goals of the thesis. The following chapter, “Ludwig van Beethoven” is subdivided into two parts, one of which outlines the life, while the other focuses on the vast oeuvre of Ludwig van Beethoven. Chapter three, headlined “Instruktivna analiza djela” (“An instructional analysis”), consists of three parts, which deal with the formal, technical, and interpretive analysis of the piece respectively. The fifth and final chapter, under the title of “Zaključak“ (“Conclusion”), provides a brief overview of the analysis conducted, as well as the goals achieved. At the very end a complete list of sources and attachments used is provided.

• Keywords: sonata; Beethoven; analiza; harmonija; stavak
• Keywords (english): sonata; Beethoven; analysis; harmony; movement
• Language: croatian
• URN:NBN: urn:nbn:hr:116:484632
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Harp, Violin, Viola, Guitar, Piano, Organ, Harpsichord, Euphonium, Tamboura, Violoncello, Double Bass; Course: Piano; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-01-20 14:26:01