Fantazije u klavirskoj literaturi

master's thesis

• Title (english): Fantasy in piano literature
• Author: Antonio Vukadin
• Mentor: Dalibor Cikojević (mentor)
• Granter: University of Zagreb; Academy of Music; (Piano, Organ and Harpsichord Department); Zagreb
• Defense date and country: 2023-12-13, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

Pregled najznačajnijih fantazija u klavirskoj literaturi predstavljen je kroz izdvajanje elemenata karakterističnih fantaziji pojedinog stilskog razdoblja. U baroku fantazija je oblikovana u manjoj formi, služi kao improvizacijski oblik određen formom, najčešće kao uvod u veće djelo (fantazija i fuga kod Bacha), dok je u razdoblju klasike fantazija usko vezana uz sonatni oblik. Kasnije, Beethoven predstavlja novu ideju fantazije kojom ujedinjava višestavačno djelo, također vezano uz sonatu. Stjecanjem popularnosti u razdoblju romantizma, fantazija predstavlja novu slobodu izražavanja te se u njemu potpuno odmiče od sonatnog oblika, osim kod Schuberta.

Abstract (english)

The overview of the most important fantasies in piano literature is presented through seclusion of elements that are characteristic to fantasies of certain stylistic periods. In baroque, fantasy was formed in a smaller form, and it serves as an improvisational genre determined by the shape, most often as an introduction to a larger work (Bach's fantasy and fugue), while in the classical period fantasy was closely related to the sonata form. Later, Beethoven introduced a new idea of fantasy that unifies the multi-movement work, also related to the sonata. Gaining popularity in the period of romanticism, fantasy represents a new freedom of expression, and it completely departs from the sonata form, except for Schubert.

• Keywords: fantazija; Bach; Schubert; Beethoven; sonatni oblik
• Keywords (english): fantasy; Bach; Schubert; Beethoven; sonata form
• Language: croatian
• URN:NBN: urn:nbn:hr:116:131027
• Study programme: Title: Graduate University Study Programme in Piano; specializations in: Performance, Pedagogy and Performance; Course: Performance; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2024-01-07 20:41:09