Registri i passaggi pjevačkoga glasa

master's thesis

• Title (english): Registers and passages of the singing voice
• Author: Emilia Rukavina
• Mentor: Martina Silić (mentor)
• Granter: University of Zagreb; Academy of Music; (Voice Department); Zagreb
• Defense date and country: 2023-05-02, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

Glavna okosnica diplomskog rada pod naslovom Registri i passaggi pjevačkoga glasa pokušaj je da se detaljno raščlane svi registri ljudskog glasa s ciljem postizanja ujednačenosti. Ovu kompliciranu temu koja je posebno važna za operne pjevače pokušala sam kroz različite autore svesti na ono za što mislim da je najbliže mom stavu i razmišljanju. Iako se mišljenja autora razlikuju, sve zaključke o anatomskim, fiziološkim i tehničkim karakteristikama i mogućnostima moguće je donekle dokučiti i spoznati analizom vlastitog iskustva. Uvidom u karakteristike koje se pojavljuju učestalo i konzistentno kod neiskusnih pjevača prilikom nepravilne upotrebe prijelaza među registrima, tj. passaggia moguće je odrediti mehanizme kojima možemo pomiriti i premostiti razlike između teške i lake registracije u glasu. Započet ću pojašnjenjem pojmova registar i passaggio, te njihovim razvojem kroz povijest, a nakon toga se malo detaljnije baviti postupcima bitnim za rješavanje problema vezanih uz njih.

Abstract (english)

The main focus of the thesis entitled Registers and Passaggi of the Vocal Voice is to analyze in detail all the registers of the human voice in order to achieve vocal unity. This is a complex topic that is particularly important for opera singers, so through analyzing various authors, I have attempted to distill the information that is closest to my own beliefs and thoughts. While opinions among authors may differ, conclusions regarding anatomical, physiological, and technical characteristics and possibilities can be partly discerned and understood through personal experience. By examining the characteristics that frequently and consistently appear in inexperienced singers when improperly using passaggio, it is possible to determine mechanisms that can reconcile and bridge the differences between heavy and light vocal registration. I will begin by explaining the terms voice registers and passaggio, as well as their development throughout history, and then delve a bit more into the pedagogical procedures that are important for resolving issues related to them.

• Keywords: pjevanje; registri glasa; passaggio; vokalna tehnika; vokalni aparat; larinks; dah
• Keywords (english): singing; voice registers; passaggio; vocal technique; vocal apparatus; larynx; breath
• Language: croatian
• URN:NBN: urn:nbn:hr:116:633249
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme in Singing; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2023-09-21 11:18:15