Glazbeni impresionizam: komparativna analiza odabranih autorskih muzikoloških pristupa

master's thesis

• Title (english): Music Impressionism: A Comparative Analysis of Selected Musicological Approaches
• Author: Bruno Kota
• Mentor: Sanja Kiš Žuvela (mentor)
• Committee member: Dalibor Davidović (predsjednik povjerenstva)
• Committee member: Nada Bezić (član povjerenstva)
• Committee member: Sanja Kiš Žuvela (član povjerenstva)
• Granter: University of Zagreb; Academy of Music; (Musicology Department); Zagreb
• Defense date and country: 2022-12-19, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Art Sciences; Musicology and Ethnomusicology

Abstract

Ovaj se rad usredotočuje na pitanje terminološkog definiranja i prostorno-vremenskog ograničavanja umjetničkoga pravca poznatoga pod nazivom impresionizam (fr. impressionnisme, eng. Impressionism) u svim umjetnostima u kojima se on općenito javlja, uz naročitu pozornost na svu glazbenu djelatnost koju on tradicionalno obuhvaća, metode prijenosa koncepata, načela i elemenata s drugih područja na glazbu i analogije koje su to omogućile, kao i kritiku i problematiku koje su se javile od prvih pisanih tekstova koji obrađuju spomenuto razdoblje. Rad je primarno koncipiran kao komparativna analiza djela različitih autora koji razmatraju impresionizam kao zaseban fenomen u povijesti glazbe, s posebnim obzirom na doprinos četiriju autora: Andreisa, Palmera, Fleuryja i Pasler. Razmotrit će se zajednički elementi u njihovim pristupima, sistematizirati njihovi metodološki principi te utvrditi eventualne točke nedorečenosti i/ili nedosljednosti.

Abstract (english)

This work focuses on the question of the terminological defining and spatio-temporal limitation of the art movement known under the name of impressionism (fr. impressionnisme) in all arts in which it appears in general, with the special attention to the entire musical activity which it traditionally encompasses, methods of translation of concepts, principles and elements from other domains onto music and the analogies which made that possible, as well as the critics and problematics which emerged from the first written works which are examining the forementioned period. The work is primarily conceived as a comparative analysis of the works of different authors which are considering the period of impressionism as a separate entity in the history of music, with special attention to the writings by Andreis, Palmer, Fleury, and Pasler. In this analysis we are to find the common places in their approaches, systematize their methodological principles and establish the potential points of vagueness and/or inconsistency.

• Keywords: impresionizam; umjetnički pravac; stil; povijest glazbe; terminologija
• Keywords (english): Impressionism; art movement; style; history of music; terminology
• Language: croatian
• URN:NBN: urn:nbn:hr:116:370907
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme in Musicology; specializations in: Musicology, Ethnomusicology; Course: Musicology; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzikologije (magistar/magistra muzikologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2023-01-19 17:17:19