Živi muzej popularne glazbe: etnografija tribute bendova u Hrvatskoj

master's thesis

• Author: Hana Zdunić
• Mentor: Naila Ceribašić (mentor)
• Granter: University of Zagreb; Academy of Music; (Musicology Department); Zagreb
• Defense date and country: 2021-09-03, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Art Sciences; Musicology and Ethnomusicology

Abstract

Tema ovog diplomskog rada obuhvaća kvalitativno istraživanje tribute bendova u Hrvatskoj. Prvi dio fokusira se na definiranje termina te analizu znanstvenog i javnog diskursa. Glavna problematika koja se proteže diskursom odnosi se na pitanja o autentičnosti, autorskom pravu i srodnim pravima, stvaranju i propitivanju različitih vrsta identiteta te tributeu kao baštinskom projektu popularne glazbe. Drugi dio posvećen je istraživanju razmjera glokalnih razumijevanja glazbenog svijeta tribute bendova, odnosno definiranju „domaćeg“ tributea u odnosu na ukupnu scenu te identificiranju njegovih različitih grana. U trećem dijelu prikazuje se usporedna analiza nastupa i ukupnog djelovanja bendova posvećenih stvaralaštvu Ekatarine Velike (EKV). Posljednji dio rada predstavlja pravni i ekonomski sustav pod kojim djeluju tribute bendovi. U njemu se iznosi detaljan pregled tarifnog sustava temeljenog na Zakonu o autorskom pravu i srodnim pravima te analizira (ne)pravedna uporaba autorske glazbe i utjecaj tribute bendova na lokalno glazbeno tržište.

Abstract (english)

The topic of this thesis includes qualitative research of tribute bands in Croatia. The first part focuses on defining the term and analyzing scholarly and public discourse. The main questions that stretch the discourse relate to issues of authenticity, copyright and related rights, the creation and deliberation on different types of identities, and the tribute as a heritage project of popular music. The second part is dedicated to researching the extent of glocal understandings of the music world of tribute bands, i.e. defining the „domestic" tribute in relation to the overall scene, and identifying its various branches. The third part presents a comparative analysis of the performances and overall activities of bands dedicated to the work of the band Ekatarina Velika (EKV). The last part of the paper presents the legal and economic system under which tribute bands operate. It provides a detailed overview of the tariff system based on the Copyright and Related Rights Act, an analysis of the (un)fair use of copyright music and the impact of tribute bands on the local music market.

• Keywords: popular music; tribute bands; heritage; authenticity; copyright law.
• Keywords (english): popular music; tribute bands; heritage; authenticity; copyright law
• Language: croatian
• URN:NBN: urn:nbn:hr:116:803830
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme in Musicology; specializations in: Musicology, Ethnomusicology; Course: Musicology; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzikologije (magistar/magistra muzikologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2021-10-08 09:08:51