Utjecaj opere na sakralnu glazbu italije, Francuske i Njemačke u razdoblju baroka

master's thesis

• Author: Lucija Ercegovac
• Mentor: Ivan Josip Skender (mentor)
• Granter: University of Zagreb; Academy of Music; (Voice Department); Zagreb
• Defense date and country: 2021-07-08, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

Ovaj rad bavi se utjecajem opere na sakralnu glazbu u razdoblju baroka, u Italiji, Francuskoj i Njemačkoj. Pregledom kroz sakralnu glazbu spomenutih zemalja proučavala sam osnovni utjecaj opere na stilske promjene odabranih vokalnih sakralnih formi. Ideja ovog rada je istaknuti različitosti sakralne i svjetovne glazbe baroknog razdoblja u navedenim zemljama, ali i pokazati njihove sličnosti.

Abstract (english)

The following thesis deals with the influence of opera on sacred music in the Baroque period in Italy, France and Germany. Reviewing through the sacred music of the mentioned countries, I studied the basic influence of opera on the stylistic changes of selected vocal sacred forms. The idea of this thesis is to show the differences between the sacred and secular music of the Baroque period in these countries, but also to point out their similarities.

• Keywords: opera; sakralna glazba; svjetovna glazba; barokno razdoblje
• Keywords (english): opera; sacred music; secular music; baroque period
• Language: croatian
• URN:NBN: urn:nbn:hr:116:102252
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme in Singing; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2021-07-14 12:51:01