"Žensko" i "protestno" u stvaralaštvu Pussy Riot

master's thesis

• Author: Magdalena Marija Meašić
• Mentor: Mojca Piškor (mentor)
• Granter: University of Zagreb; Academy of Music; (Musicology Department); Zagreb
• Defense date and country: 2017, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Art Sciences; Musicology and Ethnomusicology

Abstract

Već sama polarna struktura rada otkriva prirodu odnosa između onog ženskog i onog protestnog, odnosno, polja naboja koje se među njima stvara, te način na koji Pussy Riot tu naizgled odbojnu snagu koristi u svrhu vlastite revolucionarne poruke i čitavog političkog pokreta. Prvi je dio posvećen pojedinim aspektima samog fenomena koji su razrađeni na temelju tekstova pjesama i provučeni kroz prizmu socioloških i politoških činjenica, tj. glazbeni žanr, vjerski elementi i vizualni identitet. Kao svojevrsno vezivno tkivo ovim promišljanjima služi teorija o ženskim arhetipima, jer upravo su oni odraz tradicionalnog patrijarhalnog društva, a njihova dekonstrukcija uzrok snažne negativne reakcije na fenomen Pussy Riot. Drugi je dio posvećen retoričkoj analizi tekstova pjesama, tj. diferenciranju tekstualnih mehanizama i instrumenata koji njihove pjesme čine protestnima, oslanjajući se pritom na paradigme analize koje je zadao Ralph Knupp u svojem radu "A time for every purpose under heaven: Rhetorical dimensions of protest music".

Abstract (english)

The polar structure of the thesis itself reveals the nature of the relationship between that what is female and that of the protest, that is, the electric field created between them, and the way in wich Pussy Riot uses this seemingly repulsive force for the purpose of their own revolutionary message and political movement in whole. The first part is dedicated to certain aspects of the very phenomenon that are elaborated on the basis of their lyrics and transmitted through the lens of sociological and political facts, i. e. music genre, religious elements, and visual identity. The female archetypal theory serves as the connective tissue for these thoughts, because those archetypes are the reflection to the Pussy Riot phenomenon. The second part is dedicated to the rhetorical analysis of song lyrics, i. e. differentiating the textual mechanisms and instruments that make their lyrics protestive, relying on the paradigms of the analysis devised by Ralph Knupp in his work "A time for every purpose under heaven: Rhetorical dimensions of protest music."

• Keywords: Pussy Riot; feminizam; protest; arhetip; rock; retorika; vizual
• Keywords (english): Pussy Riot; feminism; protest; archetyp; rock; rhetorics; visual identity
• Language: croatian
• URN:NBN: urn:nbn:hr:116:779936
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme in Musicology (Double Major); Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2019-01-15 08:43:02