Sinjski kantual fra Pavla Vučkovića mlađeg iz 1768. godine (Sinj, Franjevački samostan, bez signature)

master's thesis

• Author: Daniela Perković
• Mentor: Hana Breko (mentor)
• Granter: University of Zagreb; Academy of Music; (Musicology Department); Zagreb
• Defense date and country: 2018-10-30, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music

Abstract

Arhiv franjevačkog samostana u Sinju čuva Kantual fra Pavla Vučkovića mlađeg iz 1768. godine. Na početku rad donosi kontekstualni pregled povijesnih zbivanja u Sinju i franjevačkoj Provinciji Presvetog Otkupitelja u 18. stoljeću. Franjevački repertoar je u to vrijeme podudaran u gotovo svim područjima Hrvatske, pa se stoga to razdoblje u hrvatskoj muzikologiji često naziva „franjevačkim barokom“. Napjevi su notirani crnom kvadratnom menzuralnom notacijom u stilu cantus fractusa. Liturgijski žanrovi koje nalazimo u kantualu jesu ciklusi nepromijenjivih dijelova mise, proprij mise te Magnificat. Rukopis je nastao prijepisom iz talijanskog predloška, te je repertoarno i notacijski podudaran s talijanskim cantoriama. Diplomski rad donosi i preliminarne spoznaje o životu i djelovanju dvaju glazbenika čija se imena spominju u ovome kantualu – skriptoru fra Pavlu Vučkoviću mlađem, te skladatelju i korektoru rukopisa Giannantoniju Banneru. U radu se nalaze incipiti napjeva kantuala koji bi mogli poslužiti za daljnje komparativne analize repertoara, a na kraju donosim i transkripciju prve mise kantuala iznad koje stoji „A Joanne Antonio Banner inventa“.

Abstract (english)

The Archives of the Franciscan Monastery in Sinj keeps the Chant book of the Franciscan friar Pavao Vučković Junior from 1768. This paper presents a contextual overview of historical events in Sinj and the Franciscan Province of the Most Holy Redeemer from the 18th Century. The Franciscan repertoire was at that time concordant in almost all parts of Croatia, so Croatian musicologists often call it „Franciscan Baroque“. Chants are notated with black square mensural notation in the style of cantus fractus. The liturgical genres of the chant book are: cycles of the mass ordinarium, proprium and a Magnificat. The manuscript was based on an Italian source, so the repertoire and the notation are similar to the Italian cantorie. The research brings some preliminary insights into the life and work of two musicians mentioned in this chant book – scriptor friar Pavao Vučković Junior, and composer and corrector of the manuscript Giannantonio Banner. This work presents the list of incipits that could be used for further comparative analysis of the repertoire, and in the end there is a transcription of the first mass of the chant book which is marked with a caption „A Joanne Antonio Banner inventa“.

• Keywords: Kantual fra Pavla Vučkovića mlađeg; „franjevački barok“; cantus fractus; fra Pavao Vučković mlađi; Giannantonio Banner
• Keywords (english): Chant Book of the franciscan friar Pavao Vučković Junior; „Franciscan Baroque“; cantus fractus; friar Pavao Vučković Junior; Giannantonio Banner
• Language: croatian
• URN:NBN: urn:nbn:hr:116:078424
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme in Musicology; specializations in: Musicology, Ethnomusicology; Course: Musicology; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2018-11-19 16:54:20