F. Chopin: Preludij op. 28

master's thesis

• Title: F. Chopin: Preludij op. 28 : tehničko-interpretativna analiza
• Title (english): F. Chopin: Preludes op.28 : technical, interpretative and formal analysis
• Author: Lucija Dogan
• Mentor: Dalibor Cikojević (mentor)
• Granter: University of Zagreb; Academy of Music; (Piano, Organ and Harpsichord Department); Zagreb
• Defense date and country: 2015-09-18, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

U ovom radu najveća pažnja posvećena je analizi Preludija, op. 28, velikog cikličnog djela Frédérica Chopina. Djelo je pisano u razdoblju od 1835. do 1839. godine, jednim dijelom na Mallorci u Španjolskoj i posvećeno je njemačkom pijanistu i skladatelju Josephu Cristophu Kessleru, a francusko izdanje graditelju klavira i izdavaču Camille-u Pleyelu. Chopin je ovo veličanstveno djelo napisao po uzoru na 24 preludija i fuge Johanna Sebastiana Bacha, s tim da je Bach iskoristio svaki tonalitet po kromatskoj ljestvici, dok je Chopin upotrijebio sve durske i molske tonalitete nižući ih po kvintnom krugu. U ovome diplomskom radu nalazi se tehnička, interpretativna i formalna analiza svakog od 24 Preludija, što čini glavninu rada. Preludiji su analizirani po redoslijedu kako su napisani, prema formi, karakteru i specifičnim problemima pijanističke tehnike. Unutar rada uspoređeno je nekoliko izvedbi navedenog cikličkog djela u cjelini poznatih svjetskih pijanista.

Abstract (english)

This paper gives a detailed analysis of Preludes, op. 28 composed by Frédéric Chopin. Chopin wrote them between 1835 and 1839, partly at Majorca and dedicated it to the German pianist and composer Joseph Christoph Kessler, while the French edition carries dedication to the piano-maker and publisher Camille Pleyel. Chopin wrote this magnificent piece influenced by Bach’s 24 Preludes and fugues. However, Bach used all major and minor keys in chromatic order, and Chopin’s Preludes, op. 28 comprises a complete cycle of the major and minor keys using them in circle of quints. This paper contains technical, interpretative and formal analysis of each Prelude. Preludes are also analysed by their form, character and specific problems of piano technique. Some interpretations of world-renowned pianists are also compared.

• Keywords: klavirska glazba; preludiji; analize; Chopin
• Keywords (english): piano music; preludes; analysis; Chopin
• Language: croatian
• URN:NBN: urn:nbn:hr:116:696933
• Study programme: Title: Graduate University Study Programme in Piano; specializations in: Performance, Pedagogy and Performance; Course: Performance; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2018-06-28 08:30:41