Indijska klasična teorija ritma i skladateljsko mišljenje Oliviera Messiaena

master's thesis

• Author: Mirjana Šimundža
• Mentor: Nikša Gligo (mentor)
• Granter: University of Zagreb; Academy of Music; Zagreb
• Defense date and country: 1985, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music

Abstract

U prvom dijelu rada obrazlažu se osnove indijskog sustava ritmova, dok se u drugom dijelu promatra primjena ovog sustava u skladateljskoj tehnici francuskog skladatelja Oliviera Messiaena, s osobitim naglaskom na skladbe Quator pour le fin du Temps, Turangalila-Symphonie i Oiseaux exotiques.

• Keywords: Olivier Messiaen; Messiaenova tehnika skladanja; Technique de mon langage musical; Quatuor pour le fin du Temps; Turangalila; Oiseaux exotiques
• Language: croatian
• URN:NBN: urn:nbn:hr:116:068802
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme in Musicology; specializations in: Hystoric Musicology, Systematic Musicology, Ethnomusicology; Course: Hystoric Musicology; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra muzikologije (magistar/magistra muzikologije)
• Type of resource: Text
• File origin: Reformatted digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2016-10-07 12:14:57