Etnografija riječkog mjuzikla

master's thesis

• Title (english): Ethnography of Rijeka's Musical Theater
• Author: Ema Tiljak
• Mentor: Jelka Vukobratović (mentor)
• Granter: University of Zagreb; Academy of Music; (Musicology Department); Zagreb
• Defense date and country: 2024-09-30, Croatia
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Art Sciences; Musicology and Ethnomusicology

Abstract

U Rijeci više od 50 godina postavljaju se mjuzikli u Hrvatskom narodnom kazalištu Ivana pl. Zajca. Ovaj rad istražuje zašto se mjuzikl kao vrsta popularnog glazbenog kazališta uvrštava u repertoar nacionalnog kazališta, kakvi se mjuzikli prikazuju prema svojem opsegu i autorstvu i kako se mjuzikli produciraju u s obzirom na kazališne resurse i na nedostatak ansambla specijaliziranog za vrstu. Osim kraće historiografije riječkog mjuzikla, rad je usmjeren na mjuzikle postavljene od 2018. do danas: megamjuzikle Andrewa Lloyda Webbera Sunset Boulevard i Evita, dvojezičnu interpretaciju kanonskog mjuzikla Colea Portera Poljubi me, Kato / Baciami, Kate i reviju U ritmu Broadwaya / A Ritmo di Broadway. Teorijski okvir istraživanja činile su teorija svjetova umjetnosti Howarda Beckera i njena upotreba u etnomuzikološkom istraživanju Ruth Finnegan, modeli istraživanja svjetova umjetnosti Hansa van Maanena i etnografske refleksije o glazbenim akademijama Brune Nettla. Istraživanje je provedeno putem intervjua s umjetnicima iz raznih područja i arhivskog rada.

Abstract (english)

For over 50 years musicals have been produced in Croatian National Theatre „Ivan pl. Zajc“. This thesis is exploring why is musical as a type of popular musical theatre included in the repertory of a national theatre, what kinds of musicals are performed by their size and their authorship and how are musicals produced considering theatre’s resources and non-existing musical theatre ensemble. Except for the short historiography of Rijeka’s musical theatre, the focus of the thesis are musicals performed from 2019 until today: Andrew Lloyd Webber’s megamusicals Sunset Boulevard and Evita, bilingual interpretation of Cole Porter’s canonical musical Poljubi me, Kato / Baciami, Kate and revue U ritmu Broawaya / A ritmo di Broadway. Theoretical framework for the research were Howard Becker’s art worlds theory, Ruth Finnegan’s application of said theory in ethnomusicological research, Hans van Maanen’s models of researching art worlds and Bruno Nettl’s ethnographic reflections on music academies. Research was made through interviews with artist from different fields and archival work.

• Keywords: svijet umjetnosti; Hrvatsko narodno kazalište Ivana pl. Zajca; Rijeka; mjuzikl; glazbeno kazalište
• Keywords (english): art world; Croatian National Theatre Ivan pl. Zajc; Rijeka; musical; music theatre
• Language: croatian
• URN:NBN: urn:nbn:hr:116:844545
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme in Musicology; specializations in: Musicology, Ethnomusicology; Course: Ethnomusicology; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzikologije (magistar/magistra muzikologije)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-10-23 15:39:04