Tehnika sviranja tambure brač

master's thesis

• Title (english): Technique of playing tamburitza brač
• Author: Martin Durbek
• Mentor: Siniša Leopold (mentor)
• Mentor: Veljko Valentin Škorvaga (komentor)
• Granter: University of Zagreb; Academy of Music; (Music Pedagogy Department); Zagreb
• Defense date and country: 2024-04-30, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

Ovaj diplomski rad bavit će se proučavanjem držanja tijela i postave ruku kod sviranja tambure A brač. Uvodni dio sadržava povijesni pregled razvoja tambura sa naglaskom na tamburu A brač. Razrada diplomskog rada donosi detaljan opis pravilne postave tijela, intrumenta u odnosu na tijelo, te postave lijeve i desne ruke. Središnji dio sadržavat će i povijesni razvoj trzalica te pravilnu postavu trzalice u ruci svirača. Temeljem opisanih i prikazanih tehnika rad će donijeti zaključak o onoj optimalnoj koja se ustalila kroz razvoj tamburaštva. Cilj ovog rada jest u tome da se spomenuta tehnika standardizira što će doprinijeti napretku instrumenta kao takvog, dobivanju najljepše tonske boje koju brač može dati, a ujedno instrumentalistima olakšati proces sviranja, kao i nastavnicima tambura na svim razinama obrazovanja.

Abstract (english)

This master's thesis will focus on studying the body posture and hand positioning while playing the tamburitza A brač. The introductory part will provide a historical overview of the development of tamburitzas, with an emphasis on the tamburitza A brač. The main body of the thesis will offer a detailed description of proper body alignment, instrument positioning relative to the body, as well as the positioning of the left and right hand. Additionally, the central part will include the historical development of plectrums and the correct positioning of the plectrum in the player's hand. Based on the described and demonstrated techniques, the thesis will draw conclusions about the optimal techniques that have become standardized through the development of tamburitza playing. The aim of this thesis is to standardize the mentioned technique, which will contribute to the advancement of the instrument itself, obtaining the most beautiful tonal color that the brač can produce, and simultaneously facilitate the playing process for instrumentalists, as well as tamburitza professors at all levels of education.

• Keywords: tambura brač; položaj; tehnika; trzalica
• Keywords (english): tamburitza brač; position; technique; plectrum
• Language: croatian
• URN:NBN: urn:nbn:hr:116:364538
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Harp, Violin, Viola, Guitar, Piano, Organ, Harpsichord, Euphonium, Tamboura, Violoncello, Double Bass; Course: Tamboura; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2024-07-09 08:04:49