Razvoj gudala za kontrabas kroz povijest i tehnike hvatova desne ruke

master's thesis

• Title (english): The development of double bass through history and the technique of right hand grips
• Author: Niko Kos
• Mentor: Nikša Bobetko (mentor)
• Granter: University of Zagreb; Academy of Music; Zagreb
• Defense date and country: 2024-06-14, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music

Abstract

Ovaj rad pruža sveobuhvatan pregled razvoja gudala za kontrabas kroz povijest, počevši s identifikacijom i opisom dijelova modernog gudala za kontrabas te razlikovanjem između njemačkog i francusko-talijanskog držanja gudala. Ističe jedinstvene aspekte gudala za kontrabas u usporedbi s gudalima za druge gudačke instrumente.
Povijesni razvoj kontrabasa i njegovog gudala prati se od 16. do 20. stoljeća. Svako stoljeće u tekstu naglašava značajne promjene u obliku, veličini, broju žica i tehnikama sviranja instrumenta. Spominju se važne osobe i njihov doprinos evoluciji kontrabasa i njegovog gudala, uključujući majstore poput Gaspara da Salòa, obitelji Amati itd.
Nadalje, rad završava popisom istaknutih povijesnih i suvremenih majstora izrade gudala za kontrabas te pruža detaljnu usporedbu između njemačkog i francuskog držanja gudala, ističući njihove tehničke razlike i utjecaj na stil sviranja i proizvodnju zvuka.

Abstract (english)

This paper provides a comprehensive overview of the development of the double bass bow throughout history, starting with the identification and description of the parts of the modern double bass bow and distinguishing between German and French-Italian bow holds. It highlights the unique aspects of the double bass bow compared to bows for other string instruments.
The historical development of the double bass and its bow is traced from the 16th to the 20th century. Each century in the text emphasizes significant changes in the shape, size, number of strings, and playing techniques of the instrument. Important individuals and their contributions to the evolution of the double bass and its bow are mentioned, including masters such as Gasparo da Salò, the Amati family, and others.
Furthermore, the paper concludes with a list of prominent historical and contemporary masters of double bass bow making and provides a detailed comparison between the German and French bow holds, highlighting their technical differences and impact on playing style and sound production.

• Keywords: kontrabas; povijest gudala za kontrabas; gudalo za kontrabas; tehnika hvata; hvatovi gudala za kontrabas; majstori izrade gudala; majstori izrade gudala za kontrabas
• Keywords (english): double bass; double bass history; bow hold; double bass bow; double bass bow history; bow makers; double bass bow makers
• Language: croatian
• URN:NBN: urn:nbn:hr:116:988608
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Double bass; Course: Double bass; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2024-06-28 12:09:48