prikaz prve stranice dokumenta Musica Dominicalis Petra Ebena
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master's thesis
Musica Dominicalis Petra Ebena
2010. urn:nbn:hr:116:738560
Spinčić, Željka
University of Zagreb
Academy of Music

Cite this document

Spinčić, Ž. (2010). Musica Dominicalis Petra Ebena (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:738560

Spinčić, Željka. "Musica Dominicalis Petra Ebena." Master's thesis, University of Zagreb, Academy of Music, 2010. https://urn.nsk.hr/urn:nbn:hr:116:738560

Spinčić, Željka. "Musica Dominicalis Petra Ebena." Master's thesis, University of Zagreb, Academy of Music, 2010. https://urn.nsk.hr/urn:nbn:hr:116:738560

Spinčić, Ž. (2010). 'Musica Dominicalis Petra Ebena', Master's thesis, University of Zagreb, Academy of Music, accessed 18 April 2024, https://urn.nsk.hr/urn:nbn:hr:116:738560

Spinčić Ž. Musica Dominicalis Petra Ebena [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2010 [cited 2024 April 18] Available at: https://urn.nsk.hr/urn:nbn:hr:116:738560

Ž. Spinčić, "Musica Dominicalis Petra Ebena", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2010. Available at: https://urn.nsk.hr/urn:nbn:hr:116:738560

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Metadata
TitleMusica Dominicalis Petra Ebena
AuthorŽeljka Spinčić
MentorBerislav Šipuš (mentor)
GranterUniversity of Zagreb
Academy of Music
Zagreb
Defense date and country2010, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Abstract
Skladba Musica Dominicalis ne može poslužiti kao opće definiranje Ebenovog stila, ali je svakako pokazateljem nekih obilježja njegovog glazbenog jezika. Eben s jedne strane pokazuje čvrstu vezu s prošlošću i tradicijom putem korištenja koralnih tema kao temeljnih tematskih materijala ubacivanjem improvizacijskih odsjeka u maniri europskog orguljaštva, uporabom tehnike imitacije, sekvenci i tipičnih baroknih ritamskih figura, dok s druge strane harmonijski jezik diše suvremenim glazbenim tekovinama, uporabom, prije svega, tehnike intervalske ćelije kojom ruši tonalitet, iako u pojedinim situacijama možemo govoriti o proširenom tonalitetu i određenim tonalitetskim središtima. Skladateljska se tehnika ovog ciklusa temelji na razvojnom variranju glazbenog materijala.
Keywords
Languagecroatian
URN:NBNurn:nbn:hr:116:738560
Study programmeTitle: Integrated Undegraduate and Graduate University Study Programme in Music Theory
Study programme type: university
Study level: integrated undergraduate and graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2016-09-08 11:11:14