Suradnja skladatelja i izvođača (praizvedba nove skladbe Lovre Stipčevića: Acatalepsy za udaraljke)

master's thesis

• Title (english): Collaboration of composer and performer (premiere of Lovro Stipčević's new piece: Acatalepsy for percussion)
• Author: Luka Ivir
• Mentor: Ivana Bilić (mentor)
• Granter: University of Zagreb; Academy of Music; Zagreb
• Defense date and country: 2023-06-27, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

U ovome ću radu opisati svoje iskustvo naručivanja i pripreme nove skladbe za udaraljke koju je napisao mladi skladatelj Lovro Stipčević. Prvotna ideja bila je narudžba u trajanju do sedam minuta da bi se u konačnici skladba razvila u dvadesetominutno trostavačno djelo uz pratnju elektronike. Kroz skladbu Acatalepsy istražuju se različite tehnike sviranja udaraljkaških instrumenata te skladateljevo poigravanje zvukovnim bojama između instrumenata i elektronike. Također, opisat ću svoje iskustvo s praizvedbama, izazove prilagođavanja materijala, proces suradnje sa skladateljem kao i iskustvo skladanja za udaraljke iz njegove perspektive. Skladbom Acatalepsy želim doprinijeti hrvatskoj udaraljkaškoj glazbi pružajući novo iskustvo za publiku, ali i za udaraljkaše koji ovo djelo odluče izvoditi. Kroz ovaj rad želim podijeliti to svoje iskustvo i inspirirati druge izvođače i skladatelje na međusobnu suradnju i obogaćivanje hrvatske glazbe novim djelima.

Abstract (english)

In this thesis I will describe my experience of commissioning and practising a new percussion piece written by the young composer Lovro Stipčević. The initial idea was a seven minute piece which eventually became 20-minute three movement piece with electronics. Throughout the piece Acatalepsy the composer uses different playing techniques and sound colouring between the instruments and electronics. Furthermore, I will describe my experience with premieres, the challenges of modifying composed material and the cooperation process with the composer as well as the experience of composing for percussion from his viewpoint. Acatalepsy represents my contribution to Croatian percussion music and I believe it will provide a new experience for the audience and percussionists who decide to perform this piece. Through this thesis, I want to share my experience and inspire other performers and composers to collaborate and enrich Croatian music with new works.

• Keywords: narudžba; udaraljke; repertoar; suradnja
• Keywords (english): commission; percussion; repertoire; collaboration
• Language: croatian
• URN:NBN: urn:nbn:hr:116:690231
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Harp, Violin, Viola, Guitar, Piano, Organ, Harpsichord, Euphonium, Tamboura, Violoncello, Double Bass; Course: Percussion; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2023-07-07 15:49:37