Kontrabas u orkestru na prijelazu iz klasike u rani romantizam - osamostaljivanje dionice

master's thesis

• Title (english): Double bass in the orchestra during the transition from classical to early romanticism
• Author: Fran Slogar
• Mentor: Nikša Bobetko (mentor)
• Granter: University of Zagreb; Academy of Music; (String Instruments and Guitar Department); Zagreb
• Defense date and country: 2022-06-28, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music

Abstract

Ovim radom želim ukazati na utjecaj pojedinaca (umjetnika, muzičara) na razvoj kontrabasa u orkestru koristeći se raznom zanimljivom literaturom. Odvajanje dionice kontrabasa bio je velik i izazovan korak u svijetu glazbe i umjetnosti kao takve. Zahvaljujući pojedincima koji su navedeni u ovom radu, danas možemo uživati u svim blagodatima i mogućnostima koje ovaj instrument nudi. Veliki umjetnici kao što su Haydn, Mozart, Dragonetti i Beethoven, postavili su temelj razvoja kontrabasa. Svojim trudom, radom i vježbanjem, virtuoznost sviranja kontrabasa prvi je pokazao Domenico Dragonetti. Bez sumnje, svojim sviračkim umijećem zadivio je mnoge te je time, na svojevrstan način, započela jedna nova era za kontrabas uopće. Beethovenovim odvajanjem dionice kontrabasa otvaraju se brojna vrata svim znatiželjnicima i entuzijastima koji su svojevremeno utabali put današnjoj primjeni (i namjeni) ovog instrumenta.

Abstract (english)

The goal of this thesis is to point out the influence of individuals (artists, players) on the development of the contrabass in the orchestra using various interesting pieces of literature. The separation of the contrabass from the violoncello section was a big and challenging step in the world of music and the art of music in general. Thanks to the individuals mentioned in this thesis, today we can enjoy all the potential and possibilities that the contrabass has to offer. Great artists such as Haydn, Mozart, Dragonetti and Beethoven laid the foundations of the development of the contrabass. With effort, hard work and practice, Domenico Dragonetti showed his mastery of the contrabass. Without a doubt he impressed many with his mastery of the instrument and with it he began a new era for the contrabass. The separation of the contrabass from the violoncello section by Beethoven opened many doors to all interested and enthusiastic artists who paved the way to the modern use and purpose of this instrument.

• Keywords: kontrabas; udvostručavanje dionice; Ludwig van Beethoven
• Keywords (english): double bass; doubling; Ludwig van Beethoven
• Language: croatian
• URN:NBN: urn:nbn:hr:116:129108
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Harp, Violin, Viola, Guitar, Piano, Organ, Harpsichord, Euphonium, Tamboura, Violoncello, Double Bass; Course: Double Bass; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2022-09-22 08:14:37