Analitički pristupi posljednjim stavcima odabranih Londonskih simfonija Josepha Haydna

master's thesis

• Author: Iva Renić
• Mentor: Ivan Ćurković (mentor)
• Granter: University of Zagreb; Academy of Music; (Composition and Music Theory Department); Zagreb
• Defense date and country: 2021-09-02, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Composition
• Scientific / art field, discipline and subdiscipline: HUMANISTIC SCIENCES; Art Sciences; Musicology and Ethnomusicology

Abstract

Fokus ovoga diplomskoga rada jest u primjeni triju američkih teorija glazbe na odabrani simfonijski opus Josepha Haydna i rasprava o dosegu potonjih teorija u formalnim i izvanglazbenim aspektima posljednjih stavaka triju Haydnovih simfonija iz kasnog stvaralaštva. Raspravi o tim aspektima dali su odjek različiti analitičari glazbe klasicizma, ali i sama autorica. Tri teorije prožimat će se kroz tri analizirana sonatna ronda čija je glavna okosnica glazbeni topos kontradance. Primjena dviju formalnih teorija objasnit će deformacije glazbenog toposa koje su bile uobičajena praksa skladatelja od početka stvaranja njegova skladateljskog opusa, a pogotovo u razvijenom, kasnijem stvaralaštvu.

Abstract (english)

The focus of this master thesis is in the application of three American music theories on selected symphonies by Joseph Haydn, and a discussion about the extent to which the latter theories explain the formal and extra-musical aspects of final movements in three Haydn’s symphonies from his later period. Various musical analysts of the classical period have contributed to the discussion of these aspects, as well as the author herself. The three theories will merge in the analysis of three sonata-rondos combined with the musical topic of the contredanse. The application of two formal theories will explain deformations of the musical topic, a customary procedure on the part of the composer since the beginning of creating his opus, but especially in his mature, later period.

• Keywords: glazbeni topos; sonatna teorija; teorija formalnih funkcija; kontradanca; sonatni rondo; Joseph Haydn; Londonske simfonije; rekomponirana repriza; ekspresivna paradigma
• Keywords (english): musical topic; sonata theory; theory of formal functions; contredanse; sonata-rondo; Joseph Haydn; London Symphonies; recomposed recapitulation; expressive paradigm
• Language: croatian
• URN:NBN: urn:nbn:hr:116:807509
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme in Music Theory; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra teorije glazbe (magistar/magistra teorije glazbe)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2021-10-08 08:12:09