Razvoj fagotističke tehnike 20. stoljeća na primjeru Sekvence XII Luciana Beria

master's thesis

• Author: Sebastian Tarbuk
• Mentor: Tomislav Oliver (mentor)
• Granter: University of Zagreb; Academy of Music; (Wind Instruments Department); Zagreb
• Defense date and country: 2021-06-18, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

Ovaj rad istražuje kontekst Sequenza XII Luciana Beria i njegovu dramatiku instrumentalne glazbe u toj skladbi pomoću opsežnog objašnjenja proširenih tehnika koje je razvio i katalogizirao Pascal Gallois, te utjecaj koji je skladba imala na repertoar suvremene glazbe za fagot. Novom metodom analize glazbenih uzoraka nastoji se ukazati na ulogu proširenih tehnika 20. stoljeća na sam glazbeni oblik skladbe.

Abstract (english)

This paper explores the context of Luciano Berio’s Sequenza XII and his instrumental theatre of the piece using an extensive explanation of the extended techniques developed and catalogued by pascal Gallois, as well as the impact of the composition on the contemporary music repertoire for the bassoon. Using a new method of pattern analysis, the work strives to elaborate on the role of the extended techniques on the musical form of the composition.

• Keywords: Berio Sequenza; fagot; proširene tehnike sviranja
• Keywords (english): Berio Sequenza; bassoon; extended techniques
• Language: croatian
• URN:NBN: urn:nbn:hr:116:424521
• Study programme: Title: Graduate University Study Programme of Instrument; specializations in: Bassoon; Course: Bassoon; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2021-09-14 08:52:29