Interpretacija djela različitih stilskih razdoblja na bisernici

master's thesis

• Author: Marko Blašković
• Mentor: Veljko Valentin Škorvaga (mentor)
• Granter: University of Zagreb; Academy of Music; (Music Pedagogy Department); Zagreb
• Defense date and country: 2021, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music

Abstract

Tema mojeg diplomskog rada je „Interpretacija na bisernici u različitim stilskim razdobljima”. Koliko znam, ne postoji rad napisan na ovu temu osim osnovne tehnike sviranja na tambura bisernici, te je ovaj naziv odabran jer će se u njemu objašnjavati interpretacija u skladbama koje nisu pisane za tamburu, nego za druga glazbala, u ovom slučaju violinu. S obzirom na to kako u naslovu piše da se obuhvaćaju različita stilska razdoblja, to će biti barok, bečka klasika te romantizam. Analizirat će se pojedini dijelovi skladba kroz prizmu tehnike sviranja i artikulacije, odnosno usporedba kako se pojedini stil izvodi na violini, a kako na tamburi bisernici, jer su razlike u načinu dobivanja tona velike. Kako za tamburu ne postoji literatura iz tih razdoblja, tamburaši su primorani prilagoditi se te je glavna teza rada prikazati najbolji oblik izvođenja na tamburi pritom ne narušavajući samu skladbu, što je itekako moguće. Ovo je vrlo značajna tema jer se standardi sviranja tambura tek postavljaju te ih je bitno postaviti najbolje moguće i samim time može se puno toga unaprijediti u izvođačkom smislu. Posebno izazovno je postaviti standarde u interpretaciji gdje se tehnike violine i tambure ne podudaraju te je način izvođenja prilično drugačiji, što tehnički, što tonski. Rješenjem tih problema olakšati će se budućim generacijama kako brže, bolje i lakše doći do željenog rezultata, odnosno do najbolje moguće i najprimjerenije interpretacije. Nadam se da će ovaj rad pomoći u daljnjem obrazovanju tamburaša uz kojeg će moći usavršavati svoje glazbeno znanje i vještine.

Abstract (english)

The subject of my graduate thesis is “The playing technique of different stylistic periods on the Bisernica”. To the best of my knowledge there is no thesis written on the subject except the strict technique of playing on the tamburitza. The title was chosen this because the subject matter will explain the playing technique of compositions which are not written strictly for the tamburitza but for other instruments as well e.g. “The Violin”. The stylistic periods included in this thesis are Baroque, Classical period and Romanticism. It will contain the analysis of certain parts of compositions through the prism of playing techniques and articulation as well as the comparison of certain playing techniques on the violin and the tamburitza as the differences are quite big. As there is no literature for the Tamburitza from these stylistic periods, this thesis shows the best way Tamburitza players can adapt their playing techniques as not to infringe on the composition itself which is of course possible. This is a very significant topic because the standard Tamburitza playing techniques are just being set, therefore it is important they are made and set in the best possible way which leaves a lot to be explored and said on the topic. It is especially challenging to set the standards in playing techniques where the 4 techniques of the Violin and the Tamburitza do not coincide and they vary tonally and technically. The solution of these differences will give future generations the better, faster and easier way to get their desired outcomes and to get to the best possible playing technique. I hope this thesis will help educated Tamburitza players in perfecting their musical knowledge and playing techniques.

• Keywords: interpretacija; bisernica; stilska razdoblja; violina; tehnika; standardi
• Keywords (english): Playing technique; Bisernica; Stylistic periods; the Violin; Standards
• Language: croatian
• URN:NBN: urn:nbn:hr:116:656160
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Harp, Violin, Viola, Guitar, Piano, Organ, Harpsichord, Euphonium, Tamboura, Violoncello, Double Bass; Course: Tamboura; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2021-06-10 14:45:43