prikaz prve stranice dokumenta Oboa: put zraka od udaha do tona
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master's thesis
Oboa: put zraka od udaha do tona
2010. urn:nbn:hr:116:225859
Szekeres, Ida
University of Zagreb
Academy of Music

Cite this document

Szekeres, I. (2010). Oboa: put zraka od udaha do tona (Master's thesis). Zagreb: University of Zagreb, Academy of Music. Retrieved from https://urn.nsk.hr/urn:nbn:hr:116:225859

Szekeres, Ida. "Oboa: put zraka od udaha do tona." Master's thesis, University of Zagreb, Academy of Music, 2010. https://urn.nsk.hr/urn:nbn:hr:116:225859

Szekeres, Ida. "Oboa: put zraka od udaha do tona." Master's thesis, University of Zagreb, Academy of Music, 2010. https://urn.nsk.hr/urn:nbn:hr:116:225859

Szekeres, I. (2010). 'Oboa: put zraka od udaha do tona', Master's thesis, University of Zagreb, Academy of Music, accessed 14 November 2024, https://urn.nsk.hr/urn:nbn:hr:116:225859

Szekeres I. Oboa: put zraka od udaha do tona [Master's thesis]. Zagreb: University of Zagreb, Academy of Music; 2010 [cited 2024 November 14] Available at: https://urn.nsk.hr/urn:nbn:hr:116:225859

I. Szekeres, "Oboa: put zraka od udaha do tona", Master's thesis, University of Zagreb, Academy of Music, Zagreb, 2010. Available at: https://urn.nsk.hr/urn:nbn:hr:116:225859

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Metadata
TitleOboa: put zraka od udaha do tona
AuthorIda Szekeres
MentorBranko Mihanović (mentor)
GranterUniversity of Zagreb
Academy of Music
Zagreb
Defense date and country2010-06-29, Croatia
Scientific / art field,
discipline and subdiscipline		FIELD OF ART
Art of Music
Abstract
Tema ovog rada su disanje i pisak s ciljem da se opiše uloga zraka u disanju i nastanku tona pri sviranju oboe. Disanje je pri sviranju svjesno i podložno zahtjevima instrumenta i muzičke fraze zbog čega je potrebna kontrola frekvencije i volumena udaha i izdaha. Pisak je „promjenjiv“ dio instrumenta gdje nastaje ton. Nastanak tona rezultat je vibracije piska zbog brzog protoka zraka pod velikim tlakom. Količinu protoka zraka i njegov tlak kontroliraju mišići koji sudjeluju u disanju u koordinaciji s ambažurom. Pisak mora duljinom, oblikom i obradom biti prilagođen sviraču i instrumentu. Njegova prilagodba ovisi o načinu izrade što podrazumijeva stil, redoslijed i vrijeme izrade te vrstu materijala i alat koji se pri izradi koristi. Obradom piska dobiva se određeni zvuk koji pridonosi karakteru zvuka skladbe ili zajedničkog zvuka komornog ansambla i orkestra.
Keywords
Languagecroatian
URN:NBNurn:nbn:hr:116:225859
Study programmeTitle: Graduate University Study Programme in Oboe; specializations in: Performance, Pedagogy and Performance
Course: Performance
Study programme type: university
Study level: graduate
Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
Type of resourceText
File originBorn digital
Access conditionsAccess restricted to students and staff of home institution
Terms of useLicence In copyright icon
Created on2016-09-06 11:47:25