Skladatelji i literatura za klarinet druge polovice 18. stoljeća

master's thesis

• Author: Sebastijan Sarapa
• Mentor: Davor Reba (mentor)
• Granter: University of Zagreb; Academy of Music; (Wind Instruments Department); Zagreb
• Defense date and country: 2018-11-30, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

Klarinet je drveni duhački instrument kojega je početkom 18. stoljeća izumio njemački graditelj drvenih duhačkih instrumenata Johann Christopher Denner, usavršivši i prepravivši tadašnji instrument chalumeaua. Tijekom povijesnog razvoja klarinet prolazi kroz tri faze usavršavanja. U ovom radu detaljno je prikazan razvoj klarineta u periodu od 1700.-1800. godine, tj. od najranijih početaka pa sve do izrade naprednijih klarineta s pet klapni. Mannheimska škola u Njemačkoj, Concerts Spirituel u Francuskoj i Harmoniemusik bili su od izuzetnog značaja za predstavljanje klarineta kao komornog i orkestralnog instrumenta, a posebno kao potencijalnog solističkog instrumenta. Svojom velikom raznolikošću tonskih boja, mogućnošću izvođenja dugačkih elegantnih fraza te ljepotom zvuka u svim registrima i dinamikama, klarinet je pridobio pozornost velikih skladatelja 18. stoljeća poput Johanna i Carla Stamitza, W. A. Mozarta, F. Krommera i L. van Beethovena. Poznati klarinetisti koji su pronijeli glas o važnosti i raznim mogućnostima korištenja instrumenta u koncertne svrhe bili su J. Beer, A. Stadler, M. Yost, F. Tausch i J. X. Lefèvre.

Abstract (english)

The clarinet is a woodwind musical-instrument invented by German woodwind instrument maker Johann Christopher Denner at the beginning of the 18th century. The clarinet evolved from an earlier instrument called the chalumeau. During the historical development the clarinet passes through three phases. In this work the development of clarinet in the period from 1700 to 1800 is shown in great depth, from the earliest beginnings to the making of advanced clarinets with five key. The Mannheim School in Germany, Concerts Spirituel in France, and Harmoniemusik were of great importance for the presentation of clarinet as a chamber and orchestral instrument, especially as a potentially solo instrument. With its great variety of tonal colors, the ability to perform long and elegant phrases and the beauty of its sound in all registers and dynamics, the clarinet gained the attention of the great 18th century composers such as Johanna and Carla Stamitza, W. A. Mozart, F. Krommer and L. van Beethoven. The famous clarinetists who have spread the word about the importance of the instrument and various possibilities of its usage for concert purposes were J. Beer, A. Stadler, M. Yost, F. Tausch and J. X. Lefèvre.

• Keywords: klarinet; skladatelji; klarinetisti i literatura 18. stoljeća; glazbeno - povijesna zbivanja
• Keywords (english): the clarinet; composers; the 18th century clarinetists and literature; musical- historical events.
• Language: croatian
• URN:NBN: urn:nbn:hr:116:596612
• Study programme: Title: Graduate University Study Programme in Clarinet; specializations in: Performance, Pedagogy and Performance; Course: Performance; Study programme type: university; Study level: graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Open access
• Created on: 2020-07-17 09:15:49