Pozicija držanja violončela

master's thesis

• Author: Emanuel Pavon
• Mentor: Monika Leskovar (mentor)
• Granter: University of Zagreb; Music Academy; (String Instruments and Guitar Department); Zagreb
• Defense date and country: 2019, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

Ovaj rad bavi se pronalaskom pravilne pozicije držanja violončela. Na početku se upoznajemo s poviješću samog violončela, od samih predaka instrumenta, prvih graditelja i glazbenika koji su ga svirali. Objašnjava se i važnost nogice kao potpore violončelu radi lakšeg držanja i kako je uvedena kao sastavni dio instrumenta. Dotičemo se važnih osoba koje su zaslužne za razvitak tehnike violončela i razmatramo njihove metode o držanju instrumenta. Napominje se i Alexander tehnika kao pomoć pri uklanjanju loših navika za držanje tijela. Razmatraju se problemi i savjeti za pravilno sjedenje te kako instrument prilagoditi našem držanju tijela, a ne obrnuto.

Abstract (english)

The aim of this paper is to find a suitable position while holding the instrument. At the beginning of the paper we are trying to get to know the history of cello, including ancestors of the instrument, first instrument builders and musicians that played it. In the paper it is also explained the importance of endpin, as it enables the musician to hold the instrument in the right way. A variety of people are mentioned, to whom we attribute development of the cello technique. Their ideas about the proper way of holding an instrument are discussed. Alexander technique is mentioned as a way to eliminate bad body position habits. At the end it is concluded what problems often occur while playing cello and different advice is considered with the purpose of adjusting the instrument to our body position and not the other way around.

• Keywords: violončelo; pravilno držanje instrumenta; prevencija ozljeda; Alexander tehnika
• Keywords (english): cello; proper way of holding the instrument; injury prevention; Alexander technique
• Language: croatian
• URN:NBN: urn:nbn:hr:116:663727
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Harp, Violin, Viola, Violoncello, Double Bass, Guitar, Piano, Organ; Course: Violoncello; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Closed access
• Created on: 2019-10-02 12:32:01