Kontrabas u razdoblju klasicizma

master's thesis

• Author: Domagoj Habek
• Mentor: Nikša Bobetko (mentor)
• Granter: University of Zagreb; Academy of Music; (String Instruments and Guitar Department); Zagreb
• Defense date and country: 2018-09-28, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

U razdoblju klasicizma dolazi do stalne uporabe kontrabasa u orkestralnom muziciranju. Osim što postaje sastavnim djelom orkestralne partiture, a zahvaljujući pojavom prvim virtuoza na kontrabasu, javljaju se i prva solistička djela. S obzirom na geografska područja, postoji više vrsta i naziva kontrabasa. Od nekoliko naziva kontrabasa vrijedi spomenuti: violone, gross Geigen – Bassus, doppelter Bass, viole grande quasi come me. Razlikuju se i u nesavršenim proporcijama i veličinama, različitim načinima ugodba i brojem žica. Također s obzirom na geografska područja dolazi do raspodjele na dvije vrste tehnika sviranja gudalom.

• Keywords: klasicizam; kontrabas
• Language: croatian
• URN:NBN: urn:nbn:hr:116:734862
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Harp, Violin, Viola, Violoncello, Double Bass, Guitar, Piano, Organ; Course: Violoncello; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2018-11-09 12:33:51