Mađarska glazba u opusu Johannesa Brahmsa

master's thesis

• Author: Nika Maslać
• Mentor: Davor Philips (mentor)
• Granter: University of Zagreb; Academy of Music; (String Instruments and Guitar Department); Zagreb
• Defense date and country: 2018-10-29, Croatia
• Scientific / art field, discipline and subdiscipline: FIELD OF ART; Art of Music; Reproductive Music (Conducting, Singing, Playing an Instrument)

Abstract

Ovaj rad ispituje mađarske utjecaje na glazbu Johannesa Brahmsa, točnije koje karakteristike su oblikovale njegov osobni stil, na koji način i kojim intenzitetom. Za ovu temu sam se odlučila jer smatram da bi bilo zanimljivo otkriti što se skriva, primjerice, iza čarobnih pasaža u dionici klarineta u drugom stavku Brahmsovog klarinet kvinteta, ili što stvara bolnu melankoličnu atmosferu s istovremeno egzotičnim prizvukom u prvom stavku četvrte simfonije. U prvom poglavlju kratko opisujem Brahmsov život, to jest dijelove vezane za njegove prve susrete s mađarskim violinistima, stvaranje prijateljstava i razvijanje afiniteta prema mađarskoj glazbi. Drugo poglavlje posvećeno je boljem razumijevanju mađarske glazbe i njene povijesti, te raspravi o tome što je zapravo mađarska glazba. U trećem poglavlju iznosim sve značajke glazbe koje čine "mađarski" zvuk u Brahmsovom opusu.

Abstract (english)

This thesis explores hungarian influences on Brahms's oeuvre, or to be exact, specific features that shaped his personal style. I decided on this subject because I thought it would be interesting to know what stands behind magical clarinet passages in second movement of clarinet quintet, or what makes first movement of fourth symphony so painfully melancholic and yet so exotic at the same time? In first chapter I give a brief review of Brahms's life, first encounters with hungarian violinists and creating affinity towards hungarian sound. Second chapter is dedicated to a better understanding of hungarian music, its history and making. Here I talk about dilemma concerning real hungarian folk music, popular art music and so-called "gypsy music". In the last chapter I put forward all musical characteristics that create hungarian sound in Brahms's music.

• Keywords: Johannes Brahms; mađarska glazba
• Language: croatian
• URN:NBN: urn:nbn:hr:116:487785
• Study programme: Title: Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Flute, Oboe, Clarinet, Saxophone, Bassoon, Horn, Trumpet, Trombone, Tuba, Percussion, Harp, Violin, Viola, Violoncello, Double Bass, Guitar, Piano, Organ; Course: Violin; Study programme type: university; Study level: integrated undergraduate and graduate; Academic / professional title: magistar/magistra muzike (magistar/magistra muzike)
• Type of resource: Text
• File origin: Born digital
• Access conditions: Access restricted to students and staff of home institution
• Created on: 2018-11-08 09:32:28