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master's thesis
18
6
Utjecaj baroknog plesa na Bachove suite za violončelo solo
Latica Anić (2016)
University of Zagreb
Music Academy
Cite this item:
https://urn.nsk.hr/urn:nbn:hr:116:769350
Metadata
Title
Utjecaj baroknog plesa na Bachove suite za violončelo solo
Author
Latica Anić
Mentor(s)
Valter Dešpalj
(thesis advisor)
Abstract
Veliki dio kompozicija Johanna Sebastiana Bacha bio je pod utjecajem plesa. Tek su nedavno glazbenici počeli pobliže analizirati utjecaj plesa na instrumentalne suite iz razdoblja renesanse i baroka. U Šest suita za violončelo solo diskutirat ću o razvoju plesova (allemande, courante, sarabande, minuet, bourée, gavotte and gigue) i prezentirati njihove glavne karakteristike. Bach je komponirao u kontrapunktu složene teksture i na površini zasjenio plesne elemente, ali ipak plesni puls mora biti prepoznat i shvaćen. Iako ove instrumentalne suite nisu namijenjene za ples, izvođač ne može zanemariti važnost plesa u ovim djelima. Kao rezultat, to znanje pomoći će izvođaču stvoriti duhovite i inteligentne izvedbe.
Granter
University of Zagreb
Music Academy
Place
Zagreb
State
Croatia
Scientific field, discipline, subdiscipline
FIELD OF ART
Art of Music
Study programme type
university
Study level
integrated undergraduate and graduate
Study programme
Integrated Undegraduate and Graduate University Study Programme for Instrumentalists; specializations in: Violoncello
Study specialization
Violoncello
Academic title abbreviation
mag.mus.
Genre
master's thesis
Language
Croatian
Defense date
2016-09-16
Parallel keywords (Croatian)
J. S. Bach
Šest suita za violončelo
barok
analiza
interpretacija
barokni plesovi
suita
Resource type
text
Access condition
Access restricted to students and staff of home institution
Terms of use
URN:NBN
https://urn.nsk.hr/urn:nbn:hr:116:769350
Committer
Sunčica Lukas